印度(🍠)每(měi )年(nián )有超过二万宗(🖍)针对女性(🧣)的(😺)暴(bào )力(lì(🛣) )罪案，平均(🌈)每二十二分钟(zhōng )就(jiù )有(♓)一名女性(🐜)被强暴，每(🚊)六(🏚)(liù )小(xiǎo )时(🌽)就有一名妇女因家庭暴力(lì )丧命(🚨)。年轻的基(😀)层(🤮)女警索妮(🤥)(nī )与(yǔ )上(🛑)司卡帕纳在德里一同接(🤸)(jiē )手(shǒu )调(🛃)查不同的女(🎩)性暴力事(😀)件，在办案过程中往往遭(📊)受到了(le )重(🤽)(chóng )大阻力(🛒)，无(🕯)日无之的(📽)罪案(àn )令(👚)(lìng )她脾气暴躁，做事方式(✂)偏(piān )离(lí(⛲) )常(🚦)规，被裁定(🚒)在执勤中(👛)行为(wéi )不(bú )当，而私人生(🔝)活也影响(📯)到(dào )了(le )她(🦋)的(🏻)职业表现(🌬)，与丈夫已(yǐ )经(jīng )彼此疏离，却要被(📋)迫面对他(🤜)(tā(⌚) )突然的到(❓)访。印度电(➕)影少见(jiàn )的(de )写实题材，以(🙊)一场一镜(🐅)营(yíng )造(zào )出(🥫)真实迫力(🐏)，将社会低下层(céng )女性受(🌽)到压迫的(👐)问题表露(✨)无(🎉)(wú )遗(yí )。

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

查(🚡)理和布希(⚡)這兩名熱衷(zhōng )靈(líng )異事(😮)件的追鬼(🕦)狂(🐲)熱者，只(zhī(🗿) )要(yào )哪裡(🤨)鬧鬼就能見到他們的身(👐)(shēn )影(yǐng )。兩(😇)人對於全(🐬)美(🍠)最凶的靈(🈁)(líng )異(yì )地點「悲慘山」公路深感(🔲)(gǎn )著(zhe )迷，當(🐸)然(⏱)不可能輕(🔌)易放過這(😾)(zhè )個捕捉鬼影的難得機(🛅)會。而(ér )兩(🔸)(liǎng )人在抵達(🔱)當地後，也(🌇)接連(lián )目(mù )睹各種離奇(🔹)詭異的超(👉)自然現(xià(🥟)n )象(🍴)。

Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'

After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.

藝術家自(🌸)古皆寂寞(🛀)或許(xǔ )是(shì )境界，人到中(🤠)年萬事憂(👲)則(👨)(zé )是(shì )現(🌙)實。在畫室(🍵)洋洋灑灑呈(chéng )現(xiàn )自由(🎅)雄風的裸(🎡)男畫作令他(🍹)一(yī )舉(jǔ(😂) )成名，在家面對前妻懷着(zhe )新(xīn )歡骨(🔒)肉、與女(⌚)兒(🧝)相處尷尬(😝)(gà )卻(què )令(✝)他一籌莫展。貝蒙特的寂(🏠)(jì )寞，在於(🐅)如何在著名(📳)畫家與(yǔ(👆) )單(dān )親爸爸雙重身份、(📫)藝術創(chuà(🔎)ng )作(zuò )與家(🍗)庭(➰)生活之間(💳)取得平衡(🤸)。維羅（《電影就在街角》，35 屆(🦁)(jiè )）找來(🍂)合(🏂)作多年的(🈸)編劇兼(jiā(🏤)n )美(měi )指好友對號入座，還(📃)原藝術(shù(🐨) )家有血有肉(🍗)的矛盾本(🤠)性，在(zài )出(chū )世與入世的兩難外，毋(🎓)忘(wàng )點(diǎ(🍏)n )點(🎲)超現實的(🍅)幽默。